Theatre Review: Love Never Dies – Adelphi
Ignore all that spiteful nonsense out there on blogosphere from “Phans” and critics alike that should know better, writes Josh Logan.
Olivier Awards to be broadcast live on Radio 2 and online
The prestigious Laurence Olivier Awards will be broadcast live on BBC Radio 2 for the very first time.
Two young actors win roles in Welsh feature film
Carlton Venn and Martin Cannon have just made their debut in the first feature film from Dragon, the Welsh film production company.
Noel Cowards’s Private Lives wins over the critics
Sex and the City temptress Kim Cattrall is the talk of the town as her West End play proves a huge hit.
LATEST
Love Never Dies – but will Lloyd Webber’s new musical?
The much anticipated follow-up to Andrew Lloyd Webber’s Phantom of the Opera, has had mixed notices with the first round of critics.
Two young actors win roles in Welsh feature film
Carlton Venn and Martin Cannon have just made their debut in the first feature film from Dragon, the Welsh film production company.
Theatre Review: Love Never Dies – Adelphi
Ignore all that spiteful nonsense out there on blogosphere from “Phans” and critics alike that should know better, writes Josh Logan.
NEWS
The much anticipated follow-up to Andrew Lloyd Webber’s Phantom of the Opera, has had mixed notices with the first round of critics.
The prestigious Laurence Olivier Awards will be broadcast live on BBC Radio 2 for the very first time.
THEINDUSTRI.TV
Sex and the City temptress Kim Cattrall is the talk of the town as her West End play proves a huge hit.
Some of the UK’s hottest actors gathered for the launch of this year’s 2010 Laurence Olivier Awards.
BLOGS
An Equity survey claims more than three quarters of West End performers and stage managers confirm there’s a vermin problem in the workplace.
HIGHLIGHTS
Carlton Venn and Martin Cannon have just made their debut in the first feature film from Dragon, the Welsh film production company.
ENTERTAINMENT
Ignore all that spiteful nonsense out there on blogosphere from “Phans” and critics alike that should know better, writes Josh Logan.
