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Madani Younis launches his first season at The Bush
David Richards reports from The Bush Theatre as new Artistic Director Madani Younis outlines his plans for his first season.
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Fourthwall’s Favourites: February
Fourthwall’s round-up of what to see this coming February.
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Training: ALRA North launches online TV station
The Academy of Live and Recorded Arts are launching a new online TV station from their Wigan base.
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Greenwich Playhouse loses home in first casualty of the Olympics?
Curtain down on Greenwich Playhouse after thirteen years.
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Blog: Uncovering The Faction #10
Up and running, there’s time for Gareth to find amusement in the smallest details.
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Blog: Uncovering The Faction #9
All three Faction shows are now up and running and Gareth has a second to take a moment’s pause to contemplate this achievement and to ruminate on Miss Julie.
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Greenroom Gossip: Mulligan on drama school auditions
Last month actress Carey Mulligan told an American newspaper that she was rejected from every drama school she auditioned for.
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Blog: Uncovering The Faction #8
Gareth wonders whether Miss Julie, the third show in The Faction’s rep season, might be suffering from ‘third-child’ syndrome.
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Review: DNA, Rose, Kingston ***
Amy Stow reviews Dennis Kelly’s DNA at the Rose, Kingston and finds it packs a lot of punch.
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Review: The Pitchfork Disney, Arcola ****
Amy Stow reviews a near-perfect revival of Phillip Ridley’s seminal play, The Pitchfork Disney, at the Arcola.
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Review: The Bee, Soho Theatre *****
As part of its world tour, The Bee returns to its original home, The Soho Theatre, London. David Richards reviews.
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Review: The Faction’s Miss Julie, New Diorama ***
David Richards is drawn into The Faction’s mesmerising blend of physical action and theatricality in the final play in their rep season, Miss Julie.
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Pulling Focus: Julie Atherton interview
Julie Atherton trained at Mountview and has become one of our best loved leading ladies. In her dressing room at the Gielgud she talks to Sarah Clark about puppets, performing[readmore]
Add a commentJulie Atherton trained at Mountview and has become one of our best loved leading ladies. In her dressing room at the Gielgud she talks to Sarah Clark about puppets, performing and why she's always up for something new.

It's very, very important to be able to take all the criticism you can and turn it into something positive. Don't think people are just insulting you or putting you down – they're trying to make you better.
Firstly, how did you get into performing?
I wasn't very good at anything else! At school I really liked drama, music and art. I went on to 6th Form College and I took Theatre Studies, Spanish and Art, and I ended up dropping Spanish and Art because I just hated them! My Theatre Studies teacher there just really pushed me. I still ended up failing it because of the written work, because I'm just awful and have to sit down and explain how I've done something – I'm an instinctual actress rather than a textbook actress. He pushed me to go to drama school and I'm glad he did because I don't know what I'd be doing now!Tell me a bit about your training at Mountview.
I loved it – it's the best and the worst three years of your life. You're growing up, essentially. I was 18, it was my first time in London, first time living anywhere on my own. My mum sort of wrapped me up in cotton wool, so it was really scary doing a whole new thing. The hours were really long but we worked really hard – you just become a family
at drama school. I had an amazing time, obviously you're growing up and you're finding your own personality. It's really weird, drama school! You get to do so many different styles, you learn so much and you learn what's going to be useful to you, because what's useful to you may not be useful to someone else.To read the full published article, subscribe to the summer issue now or view it online.
Published on June 26, 2009 · Filed under: Current Issue;






