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Madani Younis launches his first season at The Bush
David Richards reports from The Bush Theatre as new Artistic Director Madani Younis outlines his plans for his first season.
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Fourthwall’s Favourites: February
Fourthwall’s round-up of what to see this coming February.
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Training: ALRA North launches online TV station
The Academy of Live and Recorded Arts are launching a new online TV station from their Wigan base.
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Greenwich Playhouse loses home in first casualty of the Olympics?
Curtain down on Greenwich Playhouse after thirteen years.
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Blog: Uncovering The Faction #10
Up and running, there’s time for Gareth to find amusement in the smallest details.
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Blog: Uncovering The Faction #9
All three Faction shows are now up and running and Gareth has a second to take a moment’s pause to contemplate this achievement and to ruminate on Miss Julie.
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Greenroom Gossip: Mulligan on drama school auditions
Last month actress Carey Mulligan told an American newspaper that she was rejected from every drama school she auditioned for.
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Blog: Uncovering The Faction #8
Gareth wonders whether Miss Julie, the third show in The Faction’s rep season, might be suffering from ‘third-child’ syndrome.
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Review: DNA, Rose, Kingston ***
Amy Stow reviews Dennis Kelly’s DNA at the Rose, Kingston and finds it packs a lot of punch.
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Review: The Pitchfork Disney, Arcola ****
Amy Stow reviews a near-perfect revival of Phillip Ridley’s seminal play, The Pitchfork Disney, at the Arcola.
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Review: The Bee, Soho Theatre *****
As part of its world tour, The Bee returns to its original home, The Soho Theatre, London. David Richards reviews.
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Review: The Faction’s Miss Julie, New Diorama ***
David Richards is drawn into The Faction’s mesmerising blend of physical action and theatricality in the final play in their rep season, Miss Julie.
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Straddling the footlights
Simon Greiff is a jobbing actor with major West End and film credits. He holds a unique position in the London Casting scene, writes Knight Hooson.
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Simon Greiff“You shouldn't be the judge of your own talent. You should be an open vessel – turning up, having self-belief and having done your homework – but let them judge you, don't judge yourself. The hardest part of this industry is the casting process.”These words come from Simon Greiff, and if anyone should know about the casting process, it's him. Simon holds a unique position in the London casting scene. A jobbing actor himself (with major West End and film credits) he also moonlights as a ‘reader' and casting assistant to such heavyweight casting directors as Pippa Ailion. Simon is the man they turn to when they want to give auditionees a real actor to read opposite, rather than a casting assistant. In this capacity, he has sat through numerous auditions and seen both the good and the bad. In his opinion, auditions are all about preparation.“As long as you are prepared, you've learned the material and have done as much research as you can, that's all that you can do. You can only turn up as a blank canvas and hope that you are the person they are looking for.” Ultimately though, Greiff says, it comes down to your look. “If your look doesn't fit, then you are going to have to go a long way to convince the director that you are right. I have seen so many talented people coming in, and they think it's because they aren't talented enough that they aren't getting the job, and it's really because they aren't tall enough, or the wrong ethnicity.”“You shouldn't be the judge of your own talent. You should be an open vessel – turning up, having self-belief and having done your homework – but let them judge you, don't judge yourself. The hardest part of this industry is the casting process.”
These words come from Simon Greiff, and if anyone should know about the casting process, it's him. Simon holds a unique position in the London casting scene. A jobbing actor himself (with major West End and film credits) he also moonlights as a ‘reader' and casting assistant to such heavyweight casting directors as Pippa Ailion.
Simon is the man they turn to when they want to give auditionees a real actor to read opposite, rather than a casting assistant. In this capacity, he has sat through numerous auditions and seen both the good and the bad. In his opinion, auditions are all about preparation.
“As long as you are prepared, you've learned the material and have done as much research as you can, that's all that you can do. You can only turn up as a blank canvas and hope that you are the person they are looking for.”
Ultimately though, Greiff says, it comes down to your look. “If your look doesn't fit, then you are going to have to go a long way to convince the director that you are right. I have seen so many talented people coming in, and they think it's because they aren't talented enough that they aren't getting the job, and it's really because they aren't tall enough, or the wrong ethnicity.”
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