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Fourthwall’s Favourites May
Fourthwall’s round-up of what to see in May
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Fourthwall’s Favourites: April
Fourthwall’s round-up of what to see in April
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Fourthwall’s Favourites: March
Fourthwall’s round up of what to see this coming March.
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London’s only Gay Theatre company loses home.
Well respected gay-themed venue, Above The Stag, loses permanent London home.
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Blog: Uncovering The Faction #12
A tear, a wave of a white handkerchief – The Faction’s train pulls out of the station. We stand and salute their magnificent achievement.
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Blog: Uncovering The Faction #11
Gareth finally spills the beans on the place to go after the show, and shares a bit of gossip about the cast.
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Blog: Uncovering The Faction #10
Up and running, there’s time for Gareth to find amusement in the smallest details.
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Blog: Uncovering The Faction #9
All three Faction shows are now up and running and Gareth has a second to take a moment’s pause to contemplate this achievement and to ruminate on Miss Julie.
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Review: Brimstone and Treacle, Arcola Theatre ****
Edward Theakston finds a troubling and poignant play at the Arcola, with a climax that will haunt you long after you leave the theatre.
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Review: Three Kingdoms, Lyric, Hammersmith ****
Catherine Love finds herself almost lost for words at Simon Stephens compelling Three Kingdoms at the Lyric, Hammersmith
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Review: Step 9 (Of 12), Trafalgar Studios, *****
Edward Theakston reviews Step 9 (Of 12) at the Trafalgar Studios, and urges you to see this important work.
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Review: Fever Pitch, Touring ****
JBR is swept along by a Fever Pitch-perfect performance, adapted from Nick Hornby’s best selling novel.
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Taking Notes
Taking Notes, an extra-curricular exploration through the new and exciting musical theatre writing of today, will return for its second year in 2010.
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Launched in 2009 by the creators of West End's Notes from New York series, Taking Notes set a precedent in the summer school market, as the first course of its kind dedicated to contemporary musical theatre.
Designed to introduce participants to a wealth of material they have yet to discover, whilst helping them to hone their craft, Taking Notes is an opportunity to delve deeper into the writing that is the future of the West End. Guiding participants through the course will be the original creative team of Notes from New York and West End stars who have appeared in the series.
Last year the teaching faculty included Notes from New York founders and series regulars Julie Atherton and Paul Spicer, star of Avenue Q and The Bill's Clare Foster, award-winning composer Michael Bruce and Olivier and Tony nominated director Sam Buntrock. Offering a fresh, bold and confident perspective, the team led classes in song interpretation, solo work, musical staging, choral and audition technique, all of which are essential elements of an increasingly diverse modern musical theatre landscape.
Taking Notes will concentrate on how to grasp contemporary musical theatre performance, bringing out the reality and immediacy of acting through song. It will offer the opportunity to discover some of the most popular pieces of writing from selected Notes from New York shows, and will culminate in a semi-staged showcase of material at the end of the week.
Taking Notes is open to performers aged 18 and over, whether they are professional actors or currently attending a full time course. Only 50 spaces are available per week and enrolment will be administered on a strictly first-come, first-served basis. Participation in Taking Notes costs £250 for a week's tuition, or £450 for participants choosing two weeks
Taking Notes takes place from Monday 26 to Friday 30 July and Monday 2 to Friday 6 August at the London Rehearsal Rooms, 83 Borough Road, London SE1 1DN. In order to participate in Taking Notes, performers should download an application form from www.notesfromnewyork.com and return it, along with their course fee, by Friday 30 April.
Published on April 26, 2010 · Filed under: Advice;









