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	<title>Fourthwall Magazine &#38; The Drama Student – The magazine for emerging artists in the entertainment industry – actors, drama students, directors, producers, writers, production crew. &#187; Shakespeare</title>
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	<description>Theatre magazine for emerging actors, with celebrity interviews, articles, news, blogs, reviews.</description>
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		<title>Review: The Faction&#8217;s Twelfth Night, New Diorama ***</title>
		<link>http://www.fourthwallmagazine.co.uk/2012/01/review-the-factions-twelfth-night-new-diorama/</link>
		<comments>http://www.fourthwallmagazine.co.uk/2012/01/review-the-factions-twelfth-night-new-diorama/#comments</comments>
		<pubDate>Sat, 07 Jan 2012 12:59:34 +0000</pubDate>
		<dc:creator>JBR</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Gareth Fordred]]></category>
		<category><![CDATA[Jonny McPherson]]></category>
		<category><![CDATA[Lachlan McCall]]></category>
		<category><![CDATA[Mark Leipacher]]></category>
		<category><![CDATA[New Diorama]]></category>
		<category><![CDATA[Richard Delaney]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[The Faction]]></category>
		<category><![CDATA[Twelfth Night]]></category>

		<guid isPermaLink="false">http://www.fourthwallmagazine.co.uk/?p=11767</guid>
		<description><![CDATA[Amy Stow finds The Faction's take on Twelfth Night at the New Diorama a bold ensemble piece that's well worth a visit.]]></description>
			<content:encoded><![CDATA[<p>The Faction&#8217;s first play in their winter Rep Season at the New Diorama Theatre offers a more modern slant on Shakespeare&#8217;s <em>Twelfth Night</em>. Director Mark Leipacher has capitalised on his skills in award-winning ensemble work to interject some interesting angles on a variety of scenes, which serve to amuse and intrigue.</p>
<p> <a href="http://www.fourthwallmagazine.co.uk/?p=11767">Read more ...</a>]]></content:encoded>
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		<title>Review: Julius Caesar &#8211; RSC @ The Roundhouse ****</title>
		<link>http://www.fourthwallmagazine.co.uk/2011/01/review-julius-caesar-rsc-the-roundhouse/</link>
		<comments>http://www.fourthwallmagazine.co.uk/2011/01/review-julius-caesar-rsc-the-roundhouse/#comments</comments>
		<pubDate>Fri, 14 Jan 2011 12:50:15 +0000</pubDate>
		<dc:creator>PKM</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Greg Hicks]]></category>
		<category><![CDATA[Lucy Bailey]]></category>
		<category><![CDATA[RSC]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[The Roundhouse]]></category>

		<guid isPermaLink="false">http://www.fourthwallmagazine.co.uk/?p=10953</guid>
		<description><![CDATA[The RSC is back with a meaty piece of theatre, with Greg Hicks giving a commanding performance as the King, writes Honour Bayes.]]></description>
			<content:encoded><![CDATA[<p><em>Julius Caesar </em>is Shakespeare’s summer blockbuster, positively bristling with action packed violence. It’s a miracle Ridley Scott and Russell Crowe haven’t got their manly mitts all over it. But maybe it’s Shakespeare’s premature ejaculation that’s putting them off; the first act may be dripping with quotes like jewels, clima <a href="http://www.fourthwallmagazine.co.uk/?p=10953">Read more ...</a>]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<title>Theatre Review: The Tempest &#8211; Tabacco Factory, Bristol</title>
		<link>http://www.fourthwallmagazine.co.uk/2010/04/theatre-review-the-tempest-tabacco-factory-bristol/</link>
		<comments>http://www.fourthwallmagazine.co.uk/2010/04/theatre-review-the-tempest-tabacco-factory-bristol/#comments</comments>
		<pubDate>Tue, 06 Apr 2010 08:59:12 +0000</pubDate>
		<dc:creator>PKM</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Bristol]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Rupert Bridgewater]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[Tabacco Factory]]></category>
		<category><![CDATA[The Tempest]]></category>

		<guid isPermaLink="false">http://www.fourthwallmagazine.co.uk/?p=8506</guid>
		<description><![CDATA[Rupert Bridgwater reviews Andrew Hilton production of The Tempest and discovers a lyrical and masculine version of Shakespeare's last romance.]]></description>
			<content:encoded><![CDATA[<p>This production has a split personality. Close your eyes and listen to the rich soundscape of Dan Jones and Carlo Ippolito; open them and see the barest of sets.</p>
<p>A rope and swinging lantern for the shipwreck and not even a branch or a twig to denote the island.</p>
<p>Close your eyes again and listen to a spitting angry Caliban (Christoph <a href="http://www.fourthwallmagazine.co.uk/?p=8506">Read more ...</a>]]></content:encoded>
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		<title>Theatre Review: The Tempest &#8211; Platform 4</title>
		<link>http://www.fourthwallmagazine.co.uk/2010/03/theatre-review-the-tempest-platform-4/</link>
		<comments>http://www.fourthwallmagazine.co.uk/2010/03/theatre-review-the-tempest-platform-4/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 11:11:31 +0000</pubDate>
		<dc:creator>PKM</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Bath]]></category>
		<category><![CDATA[Hangar Farm Southampton]]></category>
		<category><![CDATA[Platform 4]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[The Tempest]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Theatre Royal Bath]]></category>
		<category><![CDATA[Unity Theatre Liverpool]]></category>

		<guid isPermaLink="false">http://www.fourthwallmagazine.co.uk/?p=8219</guid>
		<description><![CDATA[Rupert Bridgwater is mesmerised by the mood and tone of this stripped down version of the romance.]]></description>
			<content:encoded><![CDATA[<p>Angry, aggressive and animalistic. Richard Nutter&#39;s Caliban, seized the attention of the audience with his knuckled hands, twisted body and taut tirades as he sprung like a dismembered sheep in his ripped white fleece from a trap door in the stage. It was powerful, gripping and an authentic performance in an uneven production.</p>
<p>Platfor <a href="http://www.fourthwallmagazine.co.uk/?p=8219">Read more ...</a>]]></content:encoded>
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